Thursday, 16 May 2013

Bite It Deep Volume 12



Octopus - Rainchild
Rain - You Take Me Higher
Samantha Jones - Today Without You
Autumn - It's Just A Thought
The Rockits - Gimme True Love
Tunefull Trolley - Written Charter
Timon - Something New Everyday
Vaughan Thomas - Good Old Sam
Slade - Martha My Dear
Sun Dragon - Five White Horses
Pilot - My Auntie Iris
D Beaver - Don't Give Up
D, B, M & T - Mr. President
Andy Desmond - Let Me Take You In
Grapefruit - Ain't It Good

Friday, 10 May 2013

Pinkiny Canandy - Pinkiny Canandy (1969)

I was browsing on Ebay the other day and I noticed an LP that I'd bought over a decade ago, one that I'd totally forgotten about. The bids were at about £20 when I looked although I never did see how much it finally sold for. I read the sellers description of the album and he was doing a great job of bigging it up, claiming it to be a Beatlesque masterpiece with every track a killer. I figured I'd better dig it out and give it another spin.

The LP is housed in a superhero/comic book sleeve, aimed at the younger, bubblegum market although there is little on here that is true bubblegum. The sleeve notes give little away about who Pinkiny Canandy is but the songs are credited to Michael Chain who I figured must be the guy on the sleeve dressed in pink. So after a little bit of googling I discovered that Chain was in another band I'd heard of called The Knack, not the "My Sharona" bunch but the sixties band who had a minor hit with "Time Waits For No One" on Capitol Records in 1966 which is a great garage pop tune, you can listen to here. I also found out that the Pinkiny Canandy record was demoed by the Knack before they split in 1969 after being dropped by Capitol. Would be interesting to hear that.

The album is not a one man project that it appears at a glance. He is accompanied by Doug Altman (Drums), Mike Rice (Bass) and Gary Kato (Lead Guitar). None of the musicians are mentioned on the sleeve. Both Rice and Kato had played in Emitt Rhodes's Merry Go Round who also split in 1969.

Chain and Kato
Pinkiny Canandy is by no means a killer album, but it does include some ace tracks with some songs that I'd definitely tag as power pop and with some with Beatlsey touches, musically rather than vocally. It's a relatively short album even by 1969 standards with eight of the ten tracks clocking in under the three minute mark and the album lasting little more than 25 minutes. The production was handled by Mike Post, known mostly for composing television theme tunes including the "A-Team".

Opening and closing tracks "Hello Hello" and "Goodbye Goodbye" bring to mind the opener and reprise on the Beatles' Sgt Pepper's Lonely Hearts Club Band with some real neat guitar work from Chain and Kato. Some nice harpsichord on "Barbara" fixes what would otherwise be a standard ballad into something more like Left Banke/Peppermint Trolley Co. "Sadie Godiva", a song about a nude female Manhattan taxi cab driver. Some fab guitar riffs fill the censored spaces on what would be Sadie's response to drivers that honk her. There's a whiff of the Lovin' Spoonful on "Mr Keiley's Roof", a laid back tune sung in a hushed vocal style that really suits Chain. It's also a dead ringer for "Bryant Hotel" from "Left Banke Too" LP. The real highlight for me is "Christopher Centipede", a great catchy pop tune which showcases Chain's craft for writing good, humble, unpretentious songs. There's even a picture of the Christopher Centipede riding a skateboard (freaking out Pinkiny!) on the back sleeve. Had record label UNI chosen to release this as a single, the album may have shifted a few more copies.

Bizarrely, Pinkiny Canandy winded up supporting Led Zeppelin in Las Vegas in 1969. I wonder what the Zep fans made of them? Lack of any major success ultimately meant the end of the band. Chain went solo for a while, releasing singles on Metromedia, RCA and 20th Century Records respectively before going on to write TV show scripts in the 1980's. Michael Chain has since returned the music business where he appears to be writing prolifically and performing regularly to US armed forces troops.

Anyone interested in finding out what he's up to lately should check out his website here. He also has a YouTube channel here which is worth checking out.

Dig Christoper Centipede.......

Friday, 3 May 2013

Tinsley - My Brother Mary (1971)

Here's one for the Kinks fans out there. I might have been writing my theory on how Tinsley was a pseudonym for Ray Davies had I not found out that it was in fact Mike Tinsley, ex vocalist from the Hedgehoppers Anonymous who had a UK hit in 1965 with "It's Good News Week".

Tinsley released this one off single for Pye records in April 1971. "My Brother Mary" is a song about a chaps brother and sister who both happen to be cross dressers. What are the chances of that?! This topic was covered by the Kinks on "Lola" but the comparisons don't stop there. The vocals also sound a lot like that of Ray Davis' and the chorus is rather Kinksy, simple and catchy, almost nursery rhyme like and will stay in your head for days. The song was written and produced by Peter Hawkins, the guitarist from Pickettywitch and Ron Roker who co-wrote "Storm In A Teacup" with Lynsey De Paul. The b-side, a funky pop song called "Situations Vacant" was written by Tinsley himself. Not a bad tune but the vocals are a bit too blue eyed soul, cabaret style for my liking.

Tinsley with a horse
"My Brother Mary" failed to chart. I'm not even sure if it even got a proper release as the only copies that I've seen have been the yellow Pye promo discs. Still, it took more than a flop record to obstruct Tinsley in his music career as he go on would team up with fellow songwriters Peter Yellowstone and Steve Voice (the Yellowstone & Voice album is a big, big fave of mine) penning songs and ultimately bringing fame for Kelly Marie and Joe Dolan. There's an informative website (although there's no mention of "My Brother Mary") which covers Mike Tinsley from the Hedgehoppers to the present day (yes, he's still going!) and you can check it out here.

Warning!!! The following song is ultra catchy!
Diggg.....

My Brother Mary - Lyrics
(Roker, Hawkins)
My brother Mary goes to the west
and dressed in a dress made of hessian weave
No one believes my brother Mary

My sister Billy loves Piccadilly
walks down the strand like Burlington Bill
No one believes my sister Billy

Isn't it a funny world we're living in today
Everybody's going to the moon
Funny people acting in a very funny way
Things are getting better pretty soon

Ask me why am I singing this song
Ask me why are you singing along
Ask me why are we singing it wrong I don't know

Isn't it a funny world we're living in today
Everybody's running out of air
Funny people acting in a very funny way
Never really getting anywhere

Saturday, 27 April 2013

Lightning Never Strikes - Sheridan (1970) Vs Lightnin' Never Strikes Twice - The Move (1970)

"Lighting Never Strikes" was written by Rick Price and Michael Tyler (aka Mike Sheridan). Sheridan was the leader of Mike Sheridan and the Nightriders, one of Birmingham's most well known and top local bands in the early 1960's and a band at the top of the Rock Family Tree of The Move/Electric Light Orchestra as it held both Roy Wood and Jeff Lynne in it's mid-sixties line-up. Rick Price had been in Sight And Sound shortly before joining the Move in 1969.

The Move 1969 with Rick Price
It was on the b-side to the single "Bronotsaurus" released on Regal Zonophone records in March 1970, where Price and Sheridan get there only songwriting credit for the Move. With a slightly altered title of "Lighnin' Never Strikes Twice", the Move's version is the tougher version with a crunching guitar, heavy bass and incendiary drums courtesy of Bev Bevan. The lead vocals are handled by Carl Wayne with backing by Roy Wood although it was released just after Wayne had departed to be replaced by Jeff Lynne. The Move version also contains some tasty electric sitar which takes over for the 45 second outro.

Rick Price & Mike Sheridan
Whilst still a member of the Move, Price teamed up with Mike Sheridan to release an LP called "This Is To Certify That..." on Gemini Records in 1970 (highly recommended!) on which their version of "Lightning Never Strikes" is included. It was also released as a b-side to the killer "Sometimes I Wonder" single although listed as only Sheridan. This version is much faster with breakneck drums (Bevan again?) and TWO guitar solos, the first played through a Leslie speaker and the other played backwards!

I've never been able to pick a favourite out of the two versions, I love them both,  but I guess I'm more fond of the Sheridan & Price single as it is a much scarcer record. The move single had charted at number 7 in the UK and is far easier to find a copy. I've included both songs below, plus the lyrics so you can sing along!!!

Lyrics
Lightning Never Strikes by Sheridan
(Price / Tyler)

Let the wind blow you out of my memory
Let the rain wash you out of my eyes
Too many bad times loving you
So I gotta realise
That I can throw you right out of my mind
And put you right back in your place
Cos lightning never strikes twice in the same place

Well I can live without loving you
Carry on in the same old way
Do anything that I wanna do
Say what I wanna say
And I can throw you right out of my mind
And put you right back in your place
Cos lightning never strikes twice in the same place

Lightning strike
Lightning strike

Your kind of woman just drags me down
Wanna put on a ball and chain
I was king till you took my crown
I got to win it back again
Cos I can throw you right out of my mind
And put you right back in your place
Cos lightnin' never strikes twice in the same place

Lightning strike
Lightning strike

Friday, 19 April 2013

Bite It Deep Volume 11 - BBC Special

Just about every signed British band back in the sixties would have passed through the BBC's studios at some point, recording session tracks for the likes of Brian Matthew's Top Gear, Saturday Club and the Top Of The Pops Radio Show. Sadly not many of these recordings exist. Tape was expensive back then and the BBC had no archival policy in place until 1978. The amount of quality recordings that are gone forever could bring a music fan to tears. Luckily, the BBC made transcript LP's of some of their shows for use on the World Service, international broadcasting, so along with some home recordings which turn up every now and then, what we are left with are a few hundred session track from our favourite sixties bands. Most of these have been put out on CD either as bonus tracks to album reissues or as standalone releases.

The Bite It Deep Mix Volume 11 is a 45 minute collection of some of my favourite tracks from the BBC archive. They're all available to buy on CD or download, so if you enjoy what you hear then go and spend some cash. For the time being, give Volume 11 a play and just image what it would've been like tuning into 1214 kHz medium wave back in 1967 and hearing so much killer music for free!


Kaleidoscope - Jenny Artichoke
The Zombies - Friends Of Mine
Marmalade - Suite Judy Blue Eyes
Gulliver's People - Horizontal
The Tremeloes - You
The Montanas - A Step In The Right Direction
Dozy, Beaky, Mick & Tich - Rain
The Move - Cherry Blossom Clinic
The Bystanders - Royal Blue Summer Sunshine Day
Manfred Mann - My Name Is Jack
Earth - Everyone Sing The Song
Barclay James Harvest - So Tomorrow
Family - Second Generation Woman
The Mirage - The Wedding Of Ramona Blair
Fairport Convention - Tried So Hard
Hollies - Jennifer Eccles
Honeybus - She Comes To Me

Friday, 12 April 2013

The Family Tree - Miss Butters (1968)

I love a good late 1960's Beatles inspired album. There were quite a few of these released in the states in 1967-1968 when many of the garage bands traded in fuzz and snarl for moustaches and melody in the post Sergeant Pepper apocalypse. Music cynics have often declared this period as the end of pop's innocence, paving the way for overblown stadium rock and the like. There may be a little bit of truth in this, especially in the mainstream but there are always exceptions. Bob Segarini is an exception, a true champion of the melodic pop song. Bob knew that no matter what, you gotta have pop!

Segarini cut his teeth in California band, The Brogues who released a couple of great, tough R&B garage singles in the mid-sixties. The best track of the two singles, "I Ain't No Miracle Worker" turned up years later on the Nuggets compilation. The Brogues went their separate ways with two members, Greg Elmore and Gary Duncan winding up in the Quicksilver Messenger Service. Segarini along with fellow ex-Brogue bass player Bill Whitington to form The Family Tree in 1966 along with drummer Newman Davis and keyboard player Mike Olsen (who would later change his name to Lee Michaels and score a big hit with "Do You Know What I Mean" in 1971). The band were picked up up by Mira records and released their first single, the Segarini penned "Prince Of Dreams" in September 1966. An LP was planned but Mira eventually lost interest. By early 1967 was the only original member left in the Family Tree, now a quintet with Jim DeCocq (keyboards), Michael Dure (guitar), Bill Troachim (bass) and Vann Slatter (drums). Now signed to RCA Victor records, for whom their debut single "Do You Have The Time?" revealed themselves as a more melodic band with a distinctive Anglophile edge and serving as a taster for their debut (and only) album which would appear nine months later.


Unlike The Beatles' Sgt Pepper album, the "Miss Butters" record was released without fanfare or hype and slipped by the general public capturing very little attention along the way. Eventually getting a CD release in 2007 by Rev-ola records "Miss Butters" is finally getting the praise it deserves. Apparently Elton John is a big fan and once listed it in his all time top 25 favourite albums! The theme of the album is very loose, as is often the case with concept albums. The song titles suggest that it is based on the life of a lonely lady and split into four sections of separate songs; The Early Years, It Is Better To Have Loved, The Effect Of It All and The Underture. Some of the songs flow into each other nicely providing a little continuity but overall its just a collection of great pop tunes. The album was written solely by Segarini, produced by Rick Jarrard with orchestral arrangements by George Tipton who were both simultaneously working on a similar project; Harry Nilsson's "Aerial Ballet" also for RCA Victor.

"Slippin Thru My Fingers" was chosen as a single to promote the album but didn't result in any significant sales. One last single was punted, the non-LP "She Had To Fly" b/w "He Spins Around", two great songs but again failing to set the world alight. Family Tree were never going to bring home the same amount of dollars as The Mamas & The Papas or The Monkees so they were subsequently dropped by RCA in 1969. Segarini and DeCocq continued together to form Roxy releasing one "OK" album for Elektra. Shortly after Segarini teamed up with Trochim to form The Wackers who would release a trio of Power Pop LPs in the early seventies...but that's a story which deserves it's own separate blog entry. For now though dig this...

Sunday, 7 April 2013

Nimbo - Maisie Jones / Forget Her (1971)

Nimbo were a four piece, British Power Pop band comprising of Gordon Smith (guitar), Dave Powell (drums), Bruce Evans (bass) and John Wilson (guitar, vocals). The group cut two singles for PYE records during 1971-72, their first single is a dead ringer for Badfinger and at the time there were whispers that this was a mid-sixties Beatles demo, one listen to a-side "Maisie Jones" with it's neat harmonies and 'high in the mix bass', the comparisons become clear. B-side "Forget Her" is equally brilliant. A great example of early 1970's post-Beatles, melodic pop (e.g. the stuff I cream over!)

Nimbo circa 1972
Their second single on PYE is a cover of the 1968 Bee Gees album track "When The Swallows Fly". I've never heard this or its b-side "Noticeingly By" but I'm sure it's ace. If anyone has an mp3 of either, I'd love to hear them. In 1973 the band signed to Mowest, changing their name to The Rockits for two singles before splitting up. Wilson and Powell recruited Tommy Evans and Bob Jackson from the recently disbanded Badfinger to form the Dodgers although neither of them lasted in the band long enough to see the release of their fantastic "Love On The Rebound" LP in 1978. There is a cool video of the original line up performing "I Just Wanna Love You" in 1976 here. You can read more about the Dodgers and a little bit about Nimbo on this very informative Badfinger website.

Dig Maisie Jones...